Egyptian Goddess of Love necklace in Silver with “Wadi Sand” & “Egyptian Sky” Faience Beads
This is an entirely handcrafted Egyptian Goddess of Love necklace made from kiln-fired Egyptian faience beads. The techniques and artistry I use are precisely those found in the magnificent ancient Egyptian faience artwork created some 5,000 years ago. The sintered-quartz ceramic I create is made from exactly the same type of minerals the Egyptians drew from the sands of their deserts and the silts of the Nile.
Warm Wadi Sand tones stretching out to a cool and piecing blue Egyptian Sky are the inspiration for this Egyptian Goddess of Love necklace. The magnificent colors embodied within Ancient Egypt, both natural and man-made, provide an endless palette of delight and wonder. The amulet is in the design of the Egyptian Goddess of Love, Hathor. This is a solid Sterling Silver amulet. This Egyptian Goddess of Love necklace is 16 inches long, falling between a choker and princess length. Please note the images shown are of one particular Egyptian Goddess of Love necklace, and are for display purposes only. The Egyptian Goddess of Love necklace you order will undoubtedly have slight variations of the variegated tones and shapes within the beads and amulet. The is the nature of Egyptian Faience and metal casting, and consequently part of it’s beauty and allure.
The most famous Goddess of Ancient Egypt is Egyptian Goddess of Love, Hathor. Known also as the Goddess of Beauty; yet her’s is never a vain or shallow beauty. Rather she is assured of her own allure and grace and loved all that was alluring and graceful around her. Hathor is known as the “Mistress of Life” and is the embodiment of love, joy, romance, music, dance and celebration. Hathor’s cult is directly connected with the fragrance myrrh; considered most precious by Ancient Egyptians and to embody all of the wonderful qualities of the female sex.
The Ancient Egyptian “Ba” is a spiritual entity often depicted as a human-headed bird. It is essentially a part of one’s soul that can travel between the worlds of the living and the dead. In many aspects it is similar to our own western concept of the soul. However the ancient Egyptians held that the Ba was more of a spirit that evoked an “impression” or “effect”, even a “reputation” before others, of one’s true and primal nature. Hence, the Ba becomes much more than our own understanding of one’s soul, as it is also the impression one makes with her soul. Later, the Greeks would adopt the word “psyche” in place of the Egyptian Ba. The designs within this collection were created with the aspiration to imbue these pieces of this spirit.